Touring Siena
St. Catherine was born in Siena in 1347 and this is where she spent her childhood alongside her 23 siblings. St Catherine's religious devotion became apparent at an early age and she entered a Sienese Dominican order of nuns, devoting her life to caring for the poor and ill of her native town. Although she was a Dominican nun, she was able to spend much of her life living in the house of her birth. The Basillica of Saint Catherine was dedicated to St Catherine in recognition of her single handed efforts to fight corruption in the church, andto convince the pope, who was seated in Avignon, France, at the time, to restore the papal seat to Rome.
After her early death, the cult of Saint Catherine rapidly spread throughout Europe and she was proclaimed Italy's patron saint in 1939. Thanks to her vast correspondence ( 'epistolorio’) with important men and women across Europe, her status as an intellectual has also lasted down the centuries.
Here is the inside of the church - before I discovered that we weren't supposed to take pictures!
Charles V, after visiting the Sienese "bottini", is supposed to have exclaimed that Siena was two cities in one, each as beautiful as the other, the first underground, the second above. Water was conveyed to Piazza del Campo - the central plaza - through a master-conduit, most likely first utilized around 1342. "The Sienese saluted the event with great rejoicing", wherefore the fountain, appropriately named Fonte Gaia (Joyous Fountain), was built the following year (1343). The fountain was replaced several times and changed from Gothic to Renaissance style. Interestingly, it’s thought that the foundation contributed to the huge losses due to the bubonic plaque.
The painter Signe do Bonaventura is revered in the square that celebrates the oldest bank in the world. Started as a pawn shop in 1472, the month Del Peschi is still in operation today as the 3rd largest bank in Italy.
These arches were used in the US film - we just can't remember which one!
The Duomo of Siena was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.
The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius.
It is interesting that this “pagan” mosaic that depicts the Roman mascots of the surrounding cities is found in the center of the entrance to the cathedral!
There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.
The pulpit is intricately engraved and sits on an equally beautiful enlayed floor depicting biblical scenes.
A choir-book, one of many, found in the pope's library.
A second massive addition of the main body of the cathedral was planned in 1339. It would have more than doubled the size of the structure by means of an entirely new nave and two aisles ranged perpendicular to the existing nave and centered on the high altar. The construction was begun under the direction of Giovanni di Agostino, better known as a sculptor. Construction was halted by the Black Death in 1348. Basic errors in the construction were already evident by then, however, and the work was never resumed. The outer walls, remains of this extension, can now be seen to the south of the Duomo and the original central part of the cathedral is now a parking lot.